

Created in March 2001 by
the French cellist and musicologist Franck Bernède, the Singhini
Anusandhan Kendra (Singhini Research Centre) is a multidisciplinary
company which seeks to rediscover traditional repertoires of the
Himalayas through musical research and performances. Its members are
active in research, teaching, making musical recordings and giving
concerts. As individuals or in groups ( Maha Yantra, Vajra, Dance
Mandal, Sukarma, Kala Mandapa…), they are the ambassadors of Nepali
music and dance abroad and are regularly invited to perform at
international festivals in Europe (Settembre Musica of Torino,
Festival d'Ile de France, Festival of traditional music in Berlin,
Festival of Asia in Basel …), in the United States (Princeton, Los
Angeles University, California's Strawberry Festival, Arizona
University...) and in diverse festivals in Asia (Japan, Thailand, Hong
Kong, India, China...). |
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Franck
Bernède,
the founder and coordinator of the Singhini
Anusandhan
Kendra (Singhini Research Centre), was born in
Dijon
in 1958 into a family of musicians. He began his musical
education
under the guidance of his father, the violonist and
orchestra conductor Jean-Claude Bernède. After studying
the cello
at the Conservatoire National Supérieur de Musique de Lyon
and the
Sibelius Akademia of Helsinki (Finland), he concluded his
training
in baroque music at the Conservatoire National Supérieur
de
Musique de Paris. He subsequently divided his time between
performing concerts, teaching and research.
Attracted by
early musical techniques and repertoires, he participated
in the
production and recording of the major ensembles
specializing in the musical works of the 17th and 18th centuries such as
Le Concert des
Nations (dir. Jordi Savall), l'Ensemble Baroque de Limoges (dir. C. Coin), les
Arts Florissants (dir. William Christie), etc. He taught the cello,
chamber music and ethnomusicology in many french educational
institutes (Conservatoires of Nantes, Grenoble, Aix en
province, Briançon, Toulouse, National Institute for Oriental Studies..).
For the last fifteen years, he has not only been a teacher and performed
many concerts throughout the world, but also undertaken specific
research in the musical traditions of the Himalayas. He is member
of the French National Center for Scientific Research (C.N.R.S)
"Milieux, Société et Culture en Himalaya" and
the French Society for Ethnomusicology (Musée de l'Homme, Paris).
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Manik
Bajracharya, born in Bubahal, Lalitpur,
in
1969 in a family of Buddhist priests
began his training as a charya dancer under the guidance of pandit Ratna Kaji Bajracharya.
He is a member of the Dance Mandal group (dir. Prajwal Ratna
Bajracharya)
with whom he has performed both in Nepal (Royal Nepal Academy, City Hall, Russian
Cultural Center, Alliance Française, Birendra International Convention
Center, Goethe Institute…) and abroad (India, Japan, Germany,
Switzerland,
Italy, France..). He is also a member of Lotus
Research Centre, a cultural organisation dedicated to the
heritage of Nepal Mandal
in which he
conducts Research programmes and archive projects in a view to establish
a digital information centre of Newar culture. Manik is
a
co-founder of the Singhini Research Centre and as a Charya
dancer, he has participated with the organization in concert tours
in France, Switzerland and Italy (Settembre Musica de Turin, Grand
Amphithéâtre de la Sorbonne, Festival du Tibet et des Cultures
Himalayennes de Paris, Avignon, Festival St James de Fours,
Briançon..) |
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Manose
Singh, born in Baudnath, Kathmandu, was drawn to the sound of the bamboo
flute ( bansuri) as a young boy. By
the age of seventeen, he was deep into the study of the classical raga
form, and already taking on students of his own.
His career as a performer and recording artist also began at this
time. He is one of the most
noteworthy young instrumentalists of
Nepal
, known not only for his talent as a classical musician, but for his
versatility, and his experimentations with many types of music, both
Eastern and Western. Manose is the
recipient of national awards, and appears regularly on Nepali TV and
radio. He has toured
Europe
and
America
, performing at the Asian Festival in
Basel
Switzerland
and at the Nepali Embassy in Bon
Germany
in 1996, and appearing with blue grass musician Peter Rowan at
California
's Strawberry Festival in 1998. Back
in
Nepal
he has been working on a variety of projects including recording the
musical score for a French documentary (The fish of Gods.
ZED productions). He has released several CDs to date, including
both classical ragas, and world music recorded in collaboration with
international artists. Manose is
a co-founder of
the Singhini Research Centre. He has participated
with the organization in concert tours in France, Switzerland and Italy (Settembre Musica de Turin,
Grand Amphithéâtre de la Sorbonne, Festival du Tibet et des Cultures
Himalayennes de Paris, Avignon, Festival St James de Fours, Briançon..)
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Atul Prasad
Gautam, born in 1972 at Pashupati in Katmandu, started the practice of
tabla at the age of 4. He has drawn attention of people for his
talent during a National Competition (All Nepal Classical Music
Competition) and then received his tabla education from Pt. Homnath Upadhyaya.
Later, he has studied in Benares with the great masters Ramji Mishra (son
of the famous Pt. Anokhelal Mishra), Shambhu Prasad Mishra (himself tabla
guru Royal nepalese familly) and Pt. Chhotelal Mishra. He has a Bachelor of Art
from the Prayag Sangit
Samiti d'Allahabad (India),
Today,
he divided his
activities between
teaching and concert performances. He is regulary invited to
participate to productions radiophoniques et
télévisuelles. He teach the hindoustani musical tradition at Tribhuvan
University, Kathmandu. He is member of groups Sukarma,
Narayan Music Academy, Kirateswar Sangit Ashram. Atul
is co-founder of
the Singhini Research Centre and has participated
with the organization in a concert tour in France (Grand Amphithéâtre de la Sorbonne, Festival du Tibet et des Cultures
Himalayennes de Paris, Avignon, Festival St James de Fours, Briançon..)
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Babu
Raja Maharjan, born in 1977 at Ombahal, Kathmandu, started his
aprrenteschip of newar drums ( pashima dhimay,
khim, konchakhim et daphakhim) with his grand father, Dev Narayan Maharjan,
and the indo-nepalese drums madal and dholak with Nutche Bahadur Dangol. In
the same time, he has studied the tabla with Ravin Lal Shresta. Babu Raja
teach drums at the "Holly Land International school of Bidhanagar".
He is member of the groups Buddha's Eyes.
Babu
Raja is
a co-founder of
the Singhini Research Centre. He has participated
with the organization in a concert tour in France (Settembre Musica de Turin,
Grand Amphithéâtre de la Sorbonne, Festival du Tibet et des Cultures
Himalayennes de Paris, Avignon, Festival St James de Fours, Briançon..)
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Shyam
Nepali, born in 1972 at Kirtipur, started his musical
education (singing, dancing et playing sarangi) at the age of 8
with his grand father and father
Magar Gainé and Ram Saran Nepali. His first public apparition during a
musical conpetition at the Royal Nepal Academy royale
népalaise le propulse à l’âge de 15 ans sur la scène musicale
népalaise.
Then he created the group Surva with whom he released a first CD. His
discography included today more than 10 publications (Heart
Sutra, Journey to Nepal, Lumbini, sitaar khasa, syawambhu..).
He has participated to many performances in Nepal and abraod
(Italy Japan,
France...). Shyam is
a
co-founder of
the Singhini Research Centre. He has participated
with the organization in concert tours in France (Settembre Musica de Turin,
Grand Amphithéâtre de la Sorbonne, Festival du Tibet et des Cultures
Himalayennes de Paris, Avignon, Festival St James de Fours, Briançon..)
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Ramesh
Maharjan, born in 1974 at Brahmatol, Katmandou, has
stared his training of charya dances at the age of 11 under the guidance
of Pandit
Ratna Kaji Bajracharya and Rajendra Shrestha. In the same time, he has
studied anciant techniques of the Maharjan danses tradition (dhimay
pyakkhan) with Shiddhi Lal Maharjan of Patan, newar drums with his
grand father, Krishna Bhai Maharjan, and classical singing with Kamal Chetri
and Nisha Bhandari. Member of the Naga Theater
(studio-7) de l'hôtel Vajra (dir. Sabine Lehmann) since 1992, he has
participated to numerous cultural performances with differents groups (Kala Mandapa, Netesori Kala etc.).
He teach traditionnal music and dance in the Buddha Daya School to
street childrens (CWIN, Pam). He has particiated to many programmes in
Nepal (Alliance Française, American Cultural Center,
British Council) and in India with the group Kala Mandapa.
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Bidur
Rajkarnikar, born in 1976 at Haugal, Lalitpur, started the study of tabla
at the age of seven under the direction of his father, Prem Krishna
Rajkarnikar. He completed his classical education with Krishna Narayan
Shrestha
and Ram Hari Gurung (disciple of Ustad Amir Hussein Khan). He has a Bachelor in music
from Allahabad
University (India). He is also specialized in the practice of Newar drums
( khim, dhah and damokhim) under the
direction of Ram Krishna Tamrakar. He is a member of the
group Vajra with whom he have already released 3 CDs.
Bidur is
a co-founder of
the Singhini Research Centre and as a tabla player, he has participated
with the organization in concert tours in France, Switzerland and Italy (Settembre Musica de Turin,
Festival Estival de Paris, Grand Amphithéâtre de la Sorbonne, Festival du Tibet et des Cultures
Himalayennes de Paris, Avignon, Festival St James de Fours, Briançon..)
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Swayambhu
Ratna Shakya, born in 1968 à Katmandou, has started his training
of classical singing under the direction
of Nararaj Dhakal and charya git with Pandit Ratna Kaji
Bajracharya. Member of the group Dance Mandal, he has
participated to numerous programmes, both in Nepal and abroad (Switzerland,
Germany, India, Japan, Italy, France). In 1998, he has been awarded by
the Gaddhi
Arohan Padak by the king Birendra Bir Bikram Shah Dev. As an
actor, Swayambhu has also de
nombreux rôles in theatre, for television and in feature films (Pumawangu,
Hiupa, Aafnai Katha, Chandalika, etc.). He has also producted and
recorded numerous film music (Jiwansathi, Bidhwansha, Bishwantar,
Chandalika, etc.). As a popular singer, he has released solo albums
(Yo mausam, Hisi,
Mayako Sansaar...).
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Rameshwor Maharjan, born in 1975 at
Brahmatol, Katmandou, started his musical and dance education at the age
of seven with his grand father and father, Krishna Bhai Maharjan , le
flute player Ram Krishna Maharjan. He completed his traditionnal
training with Lata Man Maharjan and Shiddhi Lal Maharjan. After
Diplômé du "Fine Art Campus" de l'Université Tribhuvan pour le chant
classique, et de la Prayag Sangit Samiti d'AIlahabad (Inde) pour les
tabla, il aborde ensuite l'étude des danses rituelles du bouddhisme
tantrique under the guidance of Pt. Ratna Kaji Bajracharya et de
Rajendra Shrestha. Dancer, actor and musician, il est rattaché
depuis 1990 à la troupe du Naga Theater (Studio-7) de l'Hôtel Vajra
(dir. Sabine Lehmann). Infatigable pédagogue, il enseigne par
ailleurs dans de nombreuses écoles de musique, instituts et
orphelinats et travaille en particulier avec les enfants des rues.
Rameshwor s'est déjà produit tant au Népal (Royal Nepal Academy, Everest
Cultural Society, etc.), qu’à l’étranger (Danemark, Suède, Inde,
Espagne, France...).
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Dhrubesh
Chandra Regmi is born in Kathmandu in one of the
great
family of sitar player in Nepal. His grand father, Pt. Deva
Chandra
Regmi has been the first musician to introduce this
instrument in Nepal,
and his father, Pt. Satish Chandra Regmi was during many years
the
director of the Music Department of the Tribhuvan University.
Dhrubesh
started the study of sitar under his father's guidance. Then he
obtain a "Master degree in Art" in New Delhi University and
another master in the prestigious Gandharva
Mahavidyalaya. Today, he is teaching hindoustani musical
tradition
at the Tribhuvan University of Kathmandu. Dhrubesh share his
activities
between research, teaching and concert performances. He is
also
preparing a ethnomusicological study of the
classical nepali
music tradition during the time of the Rana (1846-1951)
for New
Delhi University. He has already been in India and
in the
United States where he has aready given more than fifty concerts
ands
conferences on the classical tradition (Princeton,
California University, Los Angeles
University, Arizona University, etc.).
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Kiran
Maharjan, born in 1973 in Brahmatol, Kathmandu, begun his musical
training under the direction of his father, the singer master (dapha
guru) Lok Bahadhur Maharjan, and traditional newar dances (dhimay
pyakkhan) with Shiddi Lal Maharjan and Bina Joshi. He has studed
the newar drums with Krishna Bhai Maharjan as well as the classical
répertoire of the charya dances with Pandit Ratna Kaji Bajracharya and Rajendra
Shrestha. In 1993, he joint the compagny "Ethnical Cultural Group"of Patan.
He is member of the "Naga Theater of Vajra hotel (dir. Sabine
Lehmann) since 1992. Ramesh teach also music and danse in
the schools"Shree Kumari" and "Pruna
Tara"at Katmandou a s well as in others private institutes. He has
already participated to numerous performances both in Nepal
(Alliance Française, American Culture Center, British Council) and
abraod (Japan, Hongkong, India...).
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Sati Devi
Sharma, born in 1983 at Babarmahal, Kathmandu, begun her training
of traditional nepali dances with Sumi Kahdka. She is
member of the group "Ethnic Nepal" with whom she
participate to many performances in Nepal and abroad
(Japan, Germany). With the Singhini Ensemble, Sati Devi has participated
in June 2001 to a concert tour in France (Grand Amphithéâtre de la Sorbonne,
Festival du Tibet et des Cultures Himalayennes de Paris, Avignon,
Festival St James de Fours, Briançon).
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Ranju Shrestha, born in 1983 in
Katmandou, has started her training of Kathak dance with
Hanny Shrestha in Kanya Campus of Tribhuvan University
traditionnal nepali dances with Keshav Rai in the Nateswar Kala Kendra
Institute. Then, she appears régulary on nepalese stages (Rastrya Savagriya /
City hall, théâtre national Nachghar...).
As an actresse, Ranju has already participated
to many cinematographic productions, as well as in feature films (Bir Ganesh
Man, Bahadur..) than for nepal television series (Hahir).
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